Contact
11 March 2017
contact [at] erik-martinson [dot] com
Erik Martinson
About
Bio
Contact
CV
Projects
Stone Tapes
Suggested For You
All Flesh is Grass
Exhibition
The Kirlian Witness + Intro
Of Animacy Reading Group
Toin or Spurl or Plinuckment
A Corpse at Findhorn
There Was a Forest in the Ceiling
Almost No Memory
Not really now not any more
Self does not understand
The Surface of the Sun
Pretošanās (Resistance)
Its origins are indeterminate
Intro
Strain Andromeda The
Making a hunter’s bluff out of a word
The black curtain is the instant when the eyes shut
We want superior forms of corruption
Tell me about the ones who sleep through storms
Nice night for a walk
Eyes Above, Bodies Below
Resting Transmissions
‘I’ Statements
pontypool-txt-advntr-sim
Sidrabene
Now is the time for magic
Portal Atop a Bus Stop (ver. II)
Autoencoding Blade Runner
Our Future is Elsewhere
Like slow breathing, it seemed to emanate from inside the walls
Hers is Still a Dank Cave
Closer to home than you could’ve ever imagined
Portal Atop a Bus Stop (ver. I)
The Waterfall Flows Up
The Years Without Light
Videonale.15
The fallacy of misplaced concreteness
Arriving Without Leaving (Guaranteed Happy Ending)
It’s going through you like an Xray
The most powerful image is the figure-eight
II Lightbox 01
Ready for Extinction
Magic Kingdoms
This Story Begins & Ends With Us
Memorie di uno Smemorato (Memoirs of an Amnesiac)
Blind Understanding
Wee Requiems
Community Action Center
Transformation in the Land of Enchantment
Dissonant States
The Unlucky Sailor
Stay the Same Never Change
What Manner of Person Art Thou?
Where the Wild Things Are
Many of My Beliefs are False
Meadowland
Writing
The Hundred Programmes
Baltic Triennial 13
Catalogue
Ben Burgis & Ksenia Pedan
Klara Lidén
Augustas Serapinas
Its origins are indeterminate
Nuclear Culture Source Book
The fallacy of misplaced concreteness
Muscle Memory
This Story Begins & Ends With Us
Where the Wild Things Are
More soon…
About
Bio
Contact
CV
Projects
Stone Tapes
Suggested For You
All Flesh is Grass
Exhibition
The Kirlian Witness + Intro
Of Animacy Reading Group
Toin or Spurl or Plinuckment
A Corpse at Findhorn
There Was a Forest in the Ceiling
Almost No Memory
Not really now not any more
Self does not understand
The Surface of the Sun
Pretošanās (Resistance)
Its origins are indeterminate
Intro
Strain Andromeda The
Making a hunter’s bluff out of a word
The black curtain is the instant when the eyes shut
We want superior forms of corruption
Tell me about the ones who sleep through storms
Nice night for a walk
Eyes Above, Bodies Below
Resting Transmissions
‘I’ Statements
pontypool-txt-advntr-sim
Sidrabene
Now is the time for magic
Portal Atop a Bus Stop (ver. II)
Autoencoding Blade Runner
Our Future is Elsewhere
Like slow breathing, it seemed to emanate from inside the walls
Hers is Still a Dank Cave
Closer to home than you could’ve ever imagined
Portal Atop a Bus Stop (ver. I)
The Waterfall Flows Up
The Years Without Light
Videonale.15
The fallacy of misplaced concreteness
Arriving Without Leaving (Guaranteed Happy Ending)
It’s going through you like an Xray
The most powerful image is the figure-eight
II Lightbox 01
Ready for Extinction
Magic Kingdoms
This Story Begins & Ends With Us
Memorie di uno Smemorato (Memoirs of an Amnesiac)
Blind Understanding
Wee Requiems
Community Action Center
Transformation in the Land of Enchantment
Dissonant States
The Unlucky Sailor
Stay the Same Never Change
What Manner of Person Art Thou?
Where the Wild Things Are
Many of My Beliefs are False
Meadowland
Writing
The Hundred Programmes
Baltic Triennial 13
Catalogue
Ben Burgis & Ksenia Pedan
Klara Lidén
Augustas Serapinas
Its origins are indeterminate
Nuclear Culture Source Book
The fallacy of misplaced concreteness
Muscle Memory
This Story Begins & Ends With Us
Where the Wild Things Are
More soon…